Object alteration: Difference between revisions

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<onlyinclude>'''~~3-Dimensional drifting~~''' can be described as the experience of perceiving textures, external objects and sceneries to be progressively warping, moving, extending, stretching, animating and shifting in their form in a manner which can vary from subtle to extreme. When one looks away from the object or texture being distorted the object retains its original shape until it is looked at directly once again where it begins distorting in a similar or different manner. The manner in which the distortions occur is not uniform and cannot be reliably predicted. The intensity of the effect is often linked to the intensity and progression of the mental state that precludes this effect.

<onlyinclude>'''Environmental alterations''' can be described as the experience of perceiving textures, external objects and sceneries to be progressively warping, moving, extending, stretching, animating and shifting in their structural form in a manner which can vary from subtle to extreme. When one looks away from the object or texture being distorted the object retains its original shape until it is looked at directly once again where it begins distorting in a similar or different manner. The manner in which the distortions occur is not uniform and cannot be reliably predicted. The intensity of the effect is often linked to the intensity and progression of the mental state that precludes this effect.

For example, when staring at an object such as a chair, its 3-dimensional shape may begin to drastically elongate or tilt into an exaggerated form which retains its original colors and textures.

Revision as of 00:15, 3 June 2017 view source >Josikins m Josikins moved page 3-Dimensional drifting to Environmental alterations: upon further analysis this effect is too distinct to be lumped in with visual drifting ← Older edit		Revision as of 00:17, 3 June 2017 view source >Josikins changing component name Newer edit →
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	<onlyinclude>'''~~3-Dimensional drifting~~''' can be described as the experience of perceiving textures, external objects and sceneries to be progressively warping, moving, extending, stretching, animating and shifting in their form in a manner which can vary from subtle to extreme. When one looks away from the object or texture being distorted the object retains its original shape until it is looked at directly once again where it begins distorting in a similar or different manner. The manner in which the distortions occur is not uniform and cannot be reliably predicted. The intensity of the effect is often linked to the intensity and progression of the mental state that precludes this effect.		<onlyinclude>'''Environmental alterations''' can be described as the experience of perceiving textures, external objects and sceneries to be progressively warping, moving, extending, stretching, animating and shifting in their structural form in a manner which can vary from subtle to extreme. When one looks away from the object or texture being distorted the object retains its original shape until it is looked at directly once again where it begins distorting in a similar or different manner. The manner in which the distortions occur is not uniform and cannot be reliably predicted. The intensity of the effect is often linked to the intensity and progression of the mental state that precludes this effect.

	For example, when staring at an object such as a chair, its 3-dimensional shape may begin to drastically elongate or tilt into an exaggerated form which retains its original colors and textures.		For example, when staring at an object such as a chair, its 3-dimensional shape may begin to drastically elongate or tilt into an exaggerated form which retains its original colors and textures.