Geometry: Difference between revisions

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==Variations==

*'''Intricate vs. Simplistic''' – ~~Visuals~~ will either present ~~themselves~~ as incomprehensibly intricate and complex in their appearance or simplistic and comprehensible even at higher dosages.

*'''Intricate vs. Simplistic''' – geometry will either present itself as incomprehensibly intricate and complex in their appearance or simplistic and comprehensible even at higher dosages.

*'''Algorithmic vs. Organic''' – In terms of their content, ~~visuals~~ will either appear to follow mathematical rules and logically consistent geometry, often resulting in high amounts of fractals and semi predictable shapes. This is most common on substances such as LSD and the 2C-X family. In contrast to this, ~~visuals~~ can also be completely random in their geometry and appearance in a way that contains infinite amounts of completely unpredictable variety. This is most common on substances such as Psilocin and DMT.

*'''Algorithmic vs. Organic''' – in terms of their content, geometry will either appear to follow mathematical rules and logically consistent geometry, often resulting in high amounts of fractals and semi predictable shapes. This is most common on substances such as LSD and the 2C-X family. In contrast to this, geometry can also be completely random in their geometry and appearance in a way that contains infinite amounts of completely unpredictable variety. This is most common on substances such as Psilocin and DMT.

*'''Structured vs. Unstructured''' – ~~Visuals~~ will either present themselves across a flat veil of geometry or they will form into an infinite variety of 3-Dimensional mechanistic rotating and ever shifting structures that are comprised out of a material based on condensed ~~visuals~~.

*'''Structured vs. Unstructured''' – geometry will either present themselves across a flat veil of geometry or they will form into an infinite variety of 3-Dimensional mechanistic rotating and ever shifting structures that are comprised out of a material based on condensed geometry.

*'''Colourful vs. Monotone''' – ~~The~~ colour scheme that ~~visuals~~ follow will range from extremely varied and multi coloured in style to consisting almost entirely of blues and greys regardless of how high the dosage may be. Below this ~~visuals~~ will consist of dark purples and blacks that are difficult to make out from their background.

*'''Colourful vs. Monotone''' – the colour scheme that geometry follow will range from extremely varied and multi coloured in style to consisting almost entirely of blues and greys regardless of how high the dosage may be. Below this geometry will consist of dark purples and blacks that are difficult to make out from their background.

*'''Flat colours vs. Glossy colours''' – Separate from the variety of colour contained within ~~visual~~ geometry, colours will either be flat and bright or glossy with high lights and shading regardless of the dosage consumed.

*'''Flat colours vs. Glossy colours''' – Separate from the variety of colour contained within geometry, colours will either be flat and bright or glossy with high lights and shading regardless of the dosage consumed.

*'''Sharp edges vs. Soft edges''' – ~~Visuals~~ will either have sharp extremely well defined around their perimeter, sometimes with thick black outlines around their edges. In contrast to this, they can be soft and blurred around their edges, merging seamlessly into each other in a way that does not affect their intricacy.

*'''Sharp edges vs. Soft edges''' – geometry will either have sharp extremely well defined around their perimeter, sometimes with thick black outlines around their edges. In contrast to this, they can be soft and blurred around their edges, merging seamlessly into each other in a way that does not affect their intricacy.

*'''Large vs. Small''' – In terms of their size, ~~visuals~~ can be extremely large and zoomed in or fine and zoomed out in a way that does not affect their level of intricacy.

*'''Large vs. Small''' – in terms of their size, geometry can be extremely large and zoomed in or fine and zoomed out in a way that does not affect their level of intricacy.

*'''Fast vs. Slow''' – ~~Movement~~ wise, ~~visuals~~ can shift and morph so fast into themselves that the amount of information presented to the tripper in extremely short periods of time becomes incomprehensible to process. In contrast to this, they can move slowly and comprehensibly, swirling and shifting into themselves to present ever changing geometric forms that can be observed in a much higher level of detail.

*'''Fast vs. Slow''' – movement wise, geometry can shift and morph so fast into themselves that the amount of information presented to the tripper in extremely short periods of time becomes incomprehensible to process. In contrast to this, they can move slowly and comprehensibly, swirling and shifting into themselves to present ever changing geometric forms that can be observed in a much higher level of detail.

*'''Round corners vs. Angular corners''' – ~~Visuals~~ will either have mostly rounded and circular corners or mostly sharp corners with pointed and angular geometry.

*'''Round corners vs. Angular corners''' – geomotry will either have mostly rounded and circular corners or mostly sharp corners with pointed and angular geometry.

*'''Immersive vs. Unimmersive''' – ~~Visuals~~ can be manifested in front of your face on a field of vision that feels separate from you, as if it was beings presented on some sort of television screen or they can feel as if you are completely immersed in and surrounded by them. Psychedelics usually generate unimmersive ~~visuals~~ but are capable of becoming immersive at appropriately high dosages. Dissociative ~~visuals~~ however seem to be strictly immersive even at mild to moderate levels of tripping.

*'''Immersive vs. Unimmersive''' – geometry can be manifested in front of your face on a field of vision that feels separate from you, as if it was beings presented on some sort of television screen or they can feel as if you are completely immersed in and surrounded by them. Psychedelics usually generate unimmersive geometry but are capable of becoming immersive at appropriately high dosages. Dissociative geometry however seem to be strictly immersive even at mild to moderate levels of tripping.

*'''[[Visual effects: geometry (psychedelic)#7A_-_Exposure_to_entirety_of_neurological_structure|Level 7A]] vs. [[Visual_effects: geometry (psychedelic)#7B_-_Exposure_to_inner_mechanics_of_human_consciousness|Level 7B]]''' – At their sixth and highest level of experience ~~visuals~~ are capable of branching off into two different directions of equal intensity. The first of these is [[Visual_effects_-_Psychedelics#7A_-_Exposure_to_entirety_of_neurological_structure|level 7A – exposure to entirety of neurological structure]] and the second of these is [[Visual_effects_-_Psychedelics#7B_-_Exposure_to_inner_mechanics_of_human_consciousness|level 7B – exposure to the inner mechanics of human consciousness]].

*'''[[Visual effects: geometry (psychedelic)#7A_-_Exposure_to_entirety_of_neurological_structure|Level 7A]] vs. [[Visual_effects: geometry (psychedelic)#7B_-_Exposure_to_inner_mechanics_of_human_consciousness|Level 7B]]''' – at their sixth and highest level of experience geometry are capable of branching off into two different directions of equal intensity. The first of these is [[Visual_effects_-_Psychedelics#7A_-_Exposure_to_entirety_of_neurological_structure|level 7A – exposure to entirety of neurological structure]] and the second of these is [[Visual_effects_-_Psychedelics#7B_-_Exposure_to_inner_mechanics_of_human_consciousness|level 7B – exposure to the inner mechanics of human consciousness]].

==See also==

@@ Line 73: / Line 73: @@
 ==Variations==
-*'''Intricate vs. Simplistic''' – Visuals will either present themselves as incomprehensibly intricate and complex in their appearance or simplistic and comprehensible even at higher dosages.
+*'''Intricate vs. Simplistic''' – geometry will either present itself as incomprehensibly intricate and complex in their appearance or simplistic and comprehensible even at higher dosages.
-*'''Algorithmic vs. Organic''' – In terms of their content, visuals will either appear to follow mathematical rules and logically consistent geometry, often resulting in high amounts of fractals and semi predictable shapes. This is most common on substances such as LSD and the 2C-X family. In contrast to this, visuals can also be completely random in their geometry and appearance in a way that contains infinite amounts of completely unpredictable variety. This is most common on substances such as Psilocin and DMT.
+*'''Algorithmic vs. Organic''' – in terms of their content, geometry will either appear to follow mathematical rules and logically consistent geometry, often resulting in high amounts of fractals and semi predictable shapes. This is most common on substances such as LSD and the 2C-X family. In contrast to this, geometry can also be completely random in their geometry and appearance in a way that contains infinite amounts of completely unpredictable variety. This is most common on substances such as Psilocin and DMT.
-*'''Structured vs. Unstructured''' – Visuals will either present themselves across a flat veil of geometry or they will form into an infinite variety of 3-Dimensional mechanistic rotating and ever shifting structures that are comprised out of a material based on condensed visuals.
+*'''Structured vs. Unstructured''' – geometry will either present themselves across a flat veil of geometry or they will form into an infinite variety of 3-Dimensional mechanistic rotating and ever shifting structures that are comprised out of a material based on condensed geometry.
-*'''Colourful vs. Monotone''' – The colour scheme that visuals follow will range from extremely varied and multi coloured in style to consisting almost entirely of blues and greys regardless of how high the dosage may be. Below this visuals will consist of dark purples and blacks that are difficult to make out from their background.
+*'''Colourful vs. Monotone''' – the colour scheme that geometry follow will range from extremely varied and multi coloured in style to consisting almost entirely of blues and greys regardless of how high the dosage may be. Below this geometry will consist of dark purples and blacks that are difficult to make out from their background.
-*'''Flat colours vs. Glossy colours''' – Separate from the variety of colour contained within visual geometry, colours will either be flat and bright or glossy with high lights and shading regardless of the dosage consumed.
+*'''Flat colours vs. Glossy colours''' – Separate from the variety of colour contained within geometry, colours will either be flat and bright or glossy with high lights and shading regardless of the dosage consumed.
-*'''Sharp edges vs. Soft edges''' – Visuals will either have sharp extremely well defined around their perimeter, sometimes with thick black outlines around their edges. In contrast to this, they can be soft and blurred around their edges, merging seamlessly into each other in a way that does not affect their intricacy.
+*'''Sharp edges vs. Soft edges''' – geometry will either have sharp extremely well defined around their perimeter, sometimes with thick black outlines around their edges. In contrast to this, they can be soft and blurred around their edges, merging seamlessly into each other in a way that does not affect their intricacy.
-*'''Large vs. Small''' – In terms of their size, visuals can be extremely large and zoomed in or fine and zoomed out in a way that does not affect their level of intricacy.
+*'''Large vs. Small''' – in terms of their size, geometry can be extremely large and zoomed in or fine and zoomed out in a way that does not affect their level of intricacy.
-*'''Fast vs. Slow''' – Movement wise, visuals can shift and morph so fast into themselves that the amount of information presented to the tripper in extremely short periods of time becomes incomprehensible to process. In contrast to this, they can move slowly and comprehensibly, swirling and shifting into themselves to present ever changing geometric forms that can be observed in a much higher level of detail.
+*'''Fast vs. Slow''' – movement wise, geometry can shift and morph so fast into themselves that the amount of information presented to the tripper in extremely short periods of time becomes incomprehensible to process. In contrast to this, they can move slowly and comprehensibly, swirling and shifting into themselves to present ever changing geometric forms that can be observed in a much higher level of detail.
-*'''Round corners vs. Angular corners''' – Visuals will either have mostly rounded and circular corners or mostly sharp corners with pointed and angular geometry.
+*'''Round corners vs. Angular corners''' – geomotry will either have mostly rounded and circular corners or mostly sharp corners with pointed and angular geometry.
-*'''Immersive vs. Unimmersive''' – Visuals can be manifested in front of your face on a field of vision that feels separate from you, as if it was beings presented on some sort of television screen or they can feel as if you are completely immersed in and surrounded by them. Psychedelics usually generate unimmersive visuals but are capable of becoming immersive at appropriately high dosages. Dissociative visuals however seem to be strictly immersive even at mild to moderate levels of tripping.
+*'''Immersive vs. Unimmersive''' – geometry can be manifested in front of your face on a field of vision that feels separate from you, as if it was beings presented on some sort of television screen or they can feel as if you are completely immersed in and surrounded by them. Psychedelics usually generate unimmersive geometry but are capable of becoming immersive at appropriately high dosages. Dissociative geometry however seem to be strictly immersive even at mild to moderate levels of tripping.
-*'''[[Visual effects: geometry (psychedelic)#7A_-_Exposure_to_entirety_of_neurological_structure|Level 7A]] vs. [[Visual_effects: geometry (psychedelic)#7B_-_Exposure_to_inner_mechanics_of_human_consciousness|Level 7B]]''' – At their sixth and highest level of experience visuals are capable of branching off into two different directions of equal intensity. The first of these is [[Visual_effects_-_Psychedelics#7A_-_Exposure_to_entirety_of_neurological_structure|level 7A – exposure to entirety of neurological structure]] and the second of these is [[Visual_effects_-_Psychedelics#7B_-_Exposure_to_inner_mechanics_of_human_consciousness|level 7B – exposure to the inner mechanics of human consciousness]].
+*'''[[Visual effects: geometry (psychedelic)#7A_-_Exposure_to_entirety_of_neurological_structure|Level 7A]] vs. [[Visual_effects: geometry (psychedelic)#7B_-_Exposure_to_inner_mechanics_of_human_consciousness|Level 7B]]''' – at their sixth and highest level of experience geometry are capable of branching off into two different directions of equal intensity. The first of these is [[Visual_effects_-_Psychedelics#7A_-_Exposure_to_entirety_of_neurological_structure|level 7A – exposure to entirety of neurological structure]] and the second of these is [[Visual_effects_-_Psychedelics#7B_-_Exposure_to_inner_mechanics_of_human_consciousness|level 7B – exposure to the inner mechanics of human consciousness]].
 ==See also==