Geometry: Difference between revisions

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Form constants references
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Med 1971;136:754-757. https://www.ncbi.nlm.nih.gov/pubmed/5005344</ref><ref>Siegel RK, Jarvik ME: Drug-induced hallucinations in animals and
Med 1971;136:754-757. https://www.ncbi.nlm.nih.gov/pubmed/5005344</ref><ref>Siegel RK, Jarvik ME: Drug-induced hallucinations in animals and
man, in Siegel RK, West LJ (eds): Hallucinations. New York, John Wiley &
man, in Siegel RK, West LJ (eds): Hallucinations. New York, John Wiley &
Sons Inc, 1975, pp 81-162</ref><ref>Klüver, H. (1928). Mescal, and mechanisms of hallucinations. University of Chicago Press.</ref><ref name="2C-B">Papoutsis, I., Nikolaou, P., Stefanidou, M., Spiliopoulou, C., & Athanaselis, S. (2015). 25B-NBOMe and its precursor 2C-B: modern trends and hidden dangers. Forensic Toxicology, 33(1), 4. https://doi.org/10.1007/s11419-014-0242-9</ref><ref name="Juszczak2013">Juszczak, G. R., & Swiergiel, A. H. (2013). Recreational use of D-lysergamide from the seeds of Argyreia nervosa, Ipomoea tricolor, Ipomoea violacea, and Ipomoea purpurea in Poland. Journal of psychoactive drugs, 45(1), 79-93. https://doi.org/10.1080/02791072.2013.763570</ref> [[form constants]],<ref>Weinel, J. (2016). Entoptic Phenomena in Audio: Categories of Psychedelic Electroacoustic Composition. Contemporary Music Review, 35(2), 202-223. https://doi.org/10.1080/07494467.2016.1221633<ref>Klüver, H. (1971). Mescal and mechanisms of hallucinations. Chicago: University of Chicago Press.</ref> [[phosphene]]s,<ref name="Juszczak2013"/><ref>Tyler, C. W. (1978). Some new entoptic phenomena. Vision Research, 18(12), 1638. https://doi.org/10.1016/0042-6989(78)90255-9</ref><ref>Young R. S. L.. Cole R. E.. Gamble M. and Rayner M. D. (1975) Subjective patterns elicited by light flicker. Vision Res. 15. 1289-1290. https://dx.doi.org/10.1016/0042-6989(75)90177-7</ref><ref>Welpe E. (1975) Das Schachbrettmuster. ein nur binokular antegbares Flimmermuster. Vision Res. 15. 1283-1288. https://doi.org/10.1016/0042-6989(75)90175-3</ref> shapes,<ref name="Juszczak2013"/> [[fractal]]s,<ref name="Juszczak2013"/> and colors. These geometric forms can also become structured and organized in a manner that presents genuine information to the person experiencing them far beyond the perception of meaningless, although complex, shapes and colors. The geometric representations may feel as though they depict specific concepts and neurological processes that exist within the brain in a manner that is extremely detailed.
Sons Inc, 1975, pp 81-162</ref><ref>Klüver, H. (1928). Mescal, and mechanisms of hallucinations. University of Chicago Press.</ref><ref name="2C-B">Papoutsis, I., Nikolaou, P., Stefanidou, M., Spiliopoulou, C., & Athanaselis, S. (2015). 25B-NBOMe and its precursor 2C-B: modern trends and hidden dangers. Forensic Toxicology, 33(1), 4. https://doi.org/10.1007/s11419-014-0242-9</ref><ref name="Juszczak2013">Juszczak, G. R., & Swiergiel, A. H. (2013). Recreational use of D-lysergamide from the seeds of Argyreia nervosa, Ipomoea tricolor, Ipomoea violacea, and Ipomoea purpurea in Poland. Journal of psychoactive drugs, 45(1), 79-93. https://doi.org/10.1080/02791072.2013.763570</ref> [[form constants]],<ref>Weinel, J. (2016). Entoptic Phenomena in Audio: Categories of Psychedelic Electroacoustic Composition. Contemporary Music Review, 35(2), 202-223. https://doi.org/10.1080/07494467.2016.1221633</ref><ref>Klüver, H. (1971). Mescal and mechanisms of hallucinations. Chicago: University of Chicago Press.</ref> [[phosphene]]s,<ref name="Juszczak2013"/><ref>Tyler, C. W. (1978). Some new entoptic phenomena. Vision Research, 18(12), 1638. https://doi.org/10.1016/0042-6989(78)90255-9</ref><ref>Young R. S. L.. Cole R. E.. Gamble M. and Rayner M. D. (1975) Subjective patterns elicited by light flicker. Vision Res. 15. 1289-1290. https://dx.doi.org/10.1016/0042-6989(75)90177-7</ref><ref>Welpe E. (1975) Das Schachbrettmuster. ein nur binokular antegbares Flimmermuster. Vision Res. 15. 1283-1288. https://doi.org/10.1016/0042-6989(75)90175-3</ref> shapes,<ref name="Juszczak2013"/> [[fractal]]s,<ref name="Juszczak2013"/> and colors. These geometric forms can also become structured and organized in a manner that presents genuine information to the person experiencing them far beyond the perception of meaningless, although complex, shapes and colors. The geometric representations may feel as though they depict specific concepts and neurological processes that exist within the brain in a manner that is extremely detailed.


Geometry is rarely motionless, generally extremely fast-moving,<ref name="2C-B"/> and self-changing in regards to its shape and style. During this process, the geometry naturally drifts laterally or radially across the visual field to create overlapping webs of geometric patterns which transition through many distinct states, all of which are visible within a single perceptual frame.
Geometry is rarely motionless, generally extremely fast-moving,<ref name="2C-B"/> and self-changing in regards to its shape and style. During this process, the geometry naturally drifts laterally or radially across the visual field to create overlapping webs of geometric patterns which transition through many distinct states, all of which are visible within a single perceptual frame.