Visual disconnection: Difference between revisions

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'''Disconnection from visual input''' can be described as the experience of becoming disconnected from ~~ones~~ sense of sight in a level of intensity that is proportional to dosage. At lower to moderate dosages this is only partial in its effects and creates a number of changes in a person's perception of sight which generally includes:

'''Disconnection from visual input''' can be described as the experience of becoming disconnected from one's sense of sight in a level of intensity that is proportional to dosage. At lower to moderate dosages, this is only partial in its effects and creates a number of changes in a person's perception of sight which generally includes:

*Feeling as if one is watching the world through a screen.

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====Structures====

[[File:K-HOLE.jpg|350px|thumb|right|''The K-Hole by [[User:Josifikins|Josifikins]]'' - This image serves as an artistic replication of the common and simultaneous dissociative induced ~~effects~~ known as [[Disconnective effects: Disconnection from visual input|disconnection from visual input]], [[Disconnective_effects:_Disconnection_from_visual_input#Holes.2C_spaces_and_voids|holes, spaces and voids]] and [[Disconnective_effects:_Disconnection_from_visual_input#Structures|hallucinatory structures]].]]'''Structures''' can be described as the only feature found within what would otherwise be completely empty and featureless spaces and holes. They manifest as the visual experience of monolithic 3-dimensional shapes or structures of infinite variety and size that float above, below or in front of the person as they gradually zoom, rotate or pan into focus and become unveiled before one's eyes at a gradually pace. These structures can take any shape possible but are commonly as experienced as vast and giant pillars, columns, blocks, tear drops, wheels and pyramids. They are often fractal in nature and capable of being manifested in any variety of colours but usually follow darker themes and tones with a style that is often described and interpreted as "alien" in nature. In terms of the materials that they appear to be comprised of and the complexity of detail in which they are perceived in, structures can be broken into 4 basic levels. These are described and listed below:

[[File:K-HOLE.jpg|350px|thumb|right|''The K-Hole by [[User:Josifikins|Josifikins]]'' - This image serves as an artistic replication of the common and simultaneous [[dissociative]]-induced effect known as [[Disconnective effects: Disconnection from visual input|disconnection from visual input]], [[Disconnective_effects:_Disconnection_from_visual_input#Holes.2C_spaces_and_voids|holes, spaces and voids]] and [[Disconnective_effects:_Disconnection_from_visual_input#Structures|hallucinatory structures]].]]'''Structures''' can be described as the only feature found within what would otherwise be completely empty and featureless spaces and holes. They manifest as the visual experience of monolithic 3-dimensional shapes or structures of infinite variety and size that float above, below or in front of the person as they gradually zoom, rotate or pan into focus and become unveiled before one's eyes at a gradually pace.

These structures can take any shape possible but are commonly as experienced as vast and giant pillars, columns, blocks, tear drops, wheels and pyramids. They are often fractal in nature and capable of being manifested in any variety of colours but usually follow darker themes and tones with a style that is often described and interpreted as "alien" in nature. In terms of the materials that they appear to be comprised of and the complexity of detail in which they are perceived in, the structures can be broken into 4 basic levels. These are described and listed below:

#'''2-Dimensional Structures''' - The most basic level of structural complexity confines its form to strictly 2-Dimensional shapes. These shapes are usually very flat and dark in their colour and often “felt” instead of seen. In terms of their size, these structures take up the entirety of a person's visual field but do not appear to have any particular size attributed to them.

#'''Partially defined 3-Dimensional Structures''' - At this level the structures become better defined and 3-Dimensional in shape with basic detail in their lighting and shadow. They appear to be made of semi-transparent condensed colour or solidified shimmering [[Visual effects: Geometry|geometry]] and are seen as ill defined and out of focus around their edges. In terms of size, these structures appear to be extremely large, stretching out across hundreds and hundreds of metres.

#'''Partially defined 3-Dimensional Structures''' - At this level the structures become better defined and 3-Dimensional in shape with basic detail in their lighting and shadow. They appear to be made of semi-transparent condensed colour or solidified shimmering [[Visual effects: Geometry|geometry]] and are seen as ill-defined and out of focus around their edges. In terms of size, these structures appear to be extremely large, stretching out across hundreds and hundreds of metres.

#'''Fully defined 3-Dimensional Structures''' - Once hallucinatory structures reach their third level of complexity, they become fully defined in their shape, edges, lighting, shadow and detail. They often appear to be made of solid and dense realistic materials such as stone and metal, they are capable of being thousands of miles across themselves and extremely complex in form.

#'''Structural universes''' - As dosage increases, the detail continues to complexify proportionally until the highest level of structure is reached. This can be described as the sensation of seeing that which is perceived as the entire universe condensed into an infinitely vast and intricate self-transforming machine structure. In terms of its appearance, this state is extremely hard to describe. The structure can take any form but usually appear as consistently shaped machine-like structures or clouds that convey huge amounts of innately readable information, are infinite in size and felt at every point of detail across themselves. This is innately interpreted as “the universe” or at least, “everything” by everybody who undergoes the experience.

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 <onlyinclude>
-'''Disconnection from visual input''' can be described as the experience of becoming disconnected from ones sense of sight in a level of intensity that is proportional to dosage. At lower to moderate dosages this is only partial in its effects and creates a number of changes in a person's perception of sight which generally includes:
+'''Disconnection from visual input''' can be described as the experience of becoming disconnected from one's sense of sight in a level of intensity that is proportional to dosage. At lower to moderate dosages, this is only partial in its effects and creates a number of changes in a person's perception of sight which generally includes:
 *Feeling as if one is watching the world through a screen.
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 ====Structures====
-[[File:K-HOLE.jpg|350px|thumb|right|''The K-Hole by [[User:Josifikins|Josifikins]]'' - This image serves as an artistic replication of the common and simultaneous dissociative induced effects known as [[Disconnective effects: Disconnection from visual input|disconnection from visual input]], [[Disconnective_effects:_Disconnection_from_visual_input#Holes.2C_spaces_and_voids|holes, spaces and voids]] and [[Disconnective_effects:_Disconnection_from_visual_input#Structures|hallucinatory structures]].]]'''Structures''' can be described as the only feature found within what would otherwise be completely empty and featureless spaces and holes. They manifest as the visual experience of  monolithic 3-dimensional shapes or structures of infinite variety and size that float above, below or in front of the person as they gradually zoom, rotate or pan into focus and become unveiled before one's eyes at a gradually pace. These structures can take any shape possible but are commonly as experienced as vast and giant pillars, columns, blocks, tear drops, wheels and pyramids. They are often fractal in nature and capable of being manifested in any variety of colours but usually follow darker themes and tones with a style that is often described and interpreted as "alien" in nature. In terms of the materials that they appear to be comprised of and the complexity of detail in which they are perceived in, structures can be broken into 4 basic levels. These are described and listed below:
+[[File:K-HOLE.jpg|350px|thumb|right|''The K-Hole by [[User:Josifikins|Josifikins]]'' - This image serves as an artistic replication of the common and simultaneous [[dissociative]]-induced effect known as [[Disconnective effects: Disconnection from visual input|disconnection from visual input]], [[Disconnective_effects:_Disconnection_from_visual_input#Holes.2C_spaces_and_voids|holes, spaces and voids]] and [[Disconnective_effects:_Disconnection_from_visual_input#Structures|hallucinatory structures]].]]'''Structures''' can be described as the only feature found within what would otherwise be completely empty and featureless spaces and holes. They manifest as the visual experience of  monolithic 3-dimensional shapes or structures of infinite variety and size that float above, below or in front of the person as they gradually zoom, rotate or pan into focus and become unveiled before one's eyes at a gradually pace.
+These structures can take any shape possible but are commonly as experienced as vast and giant pillars, columns, blocks, tear drops, wheels and pyramids. They are often fractal in nature and capable of being manifested in any variety of colours but usually follow darker themes and tones with a style that is often described and interpreted as "alien" in nature. In terms of the materials that they appear to be comprised of and the complexity of detail in which they are perceived in, the structures can be broken into 4 basic levels. These are described and listed below:
 #'''2-Dimensional Structures''' - The most basic level of structural complexity confines its form to strictly 2-Dimensional shapes. These shapes are usually very flat and dark in their colour and often “felt” instead of seen. In terms of their size, these structures take up the entirety of a person's visual field but do not appear to have any particular size attributed to them.
-#'''Partially defined 3-Dimensional Structures''' - At this level the structures become better defined and 3-Dimensional in shape with basic detail in their lighting and shadow. They appear to be made of semi-transparent condensed colour or solidified shimmering [[Visual effects: Geometry|geometry]] and are seen as ill defined and out of focus around their edges. In terms of size, these structures appear to be extremely large, stretching out across hundreds and hundreds of metres.
+#'''Partially defined 3-Dimensional Structures''' - At this level the structures become better defined and 3-Dimensional in shape with basic detail in their lighting and shadow. They appear to be made of semi-transparent condensed colour or solidified shimmering [[Visual effects: Geometry|geometry]] and are seen as ill-defined and out of focus around their edges. In terms of size, these structures appear to be extremely large, stretching out across hundreds and hundreds of metres.
 #'''Fully defined 3-Dimensional Structures''' - Once hallucinatory structures reach their third level of complexity, they become fully defined in their shape, edges, lighting, shadow and detail. They often appear to be made of solid and dense realistic materials such as stone and metal, they are capable of being thousands of miles across themselves and extremely complex in form.
 #'''Structural universes''' - As dosage increases, the detail continues to complexify proportionally until the highest level of structure is reached. This can be described as the sensation of seeing that which is perceived as the entire universe condensed into an infinitely vast and intricate self-transforming machine structure. In terms of its appearance, this state is extremely hard to describe. The structure can take any form but usually appear as consistently shaped machine-like structures or clouds that convey huge amounts of innately readable information, are infinite in size and felt at every point of detail across themselves. This is innately interpreted as “the universe” or at least, “everything” by everybody who undergoes the experience.